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"When i've got a bit cash, i purchase books. And if any is left, i purchase nutrients and clothing."
--Desiderius Erasmus

Those who proportion Erasmus's love of these curious bundles of paper certain jointly among difficult or gentle covers be aware of precisely how he felt. those are the folk who can spend hours looking via a bookshop, thoroughly oblivious not just to the passage of time yet to every little thing else round them, the folks for whom deciding to buy books is a need, no longer a luxurious. A ardour for Books is a party of that love, a set of sixty vintage and modern essays, tales, lists, poems, quotations, and cartoons at the joys of interpreting, appreciating, and amassing books.

This enriching assortment leads off with science-fiction nice Ray Bradbury's Foreword, during which he recollects his penniless days pecking out Fahrenheit 451 on a rented typewriter, conjuring up a society so fearful of artwork that it burns its books. This struggle--financial and creative--led to his lifelong love of all books, which he hopes will cosset him in his grave, "Shakespeare as a pillow, Pope at one elbow, Yeats on the different, and Shaw to hot my feet. solid corporation for far-travelling."

Booklovers also will locate the following a range of writings by way of a myriad of fellow victims from bibliomania. between those are such modern authors as Philip Roth, John Updike, Umberto Eco, Robertson Davies, Nicholas Basbanes, and Anna Quindlen; previous twentieth-century authors Chris-topher Morley, A. Edward Newton, Holbrook Jackson, A.S.W. Rosenbach, William Dana Orcutt, Robert Benchley, and William Targ; and vintage authors akin to Michel de Montaigne, Gustave Flaubert, Petrarch, and Anatole France.

Here are also exciting and funny lists equivalent to the "Ten Best-Selling Books Rejected via Publishers Twenty occasions or More," the good books incorporated in Clifton Fadiman and John Major's New Lifetime interpreting Plan, Jonathan Yardley's "Ten Books That formed the yank Character," "Ten Memorable Books That by no means Existed," "Norman Mailer's Ten favourite American Novels," and Anna Quindlen's "Ten significant Thick fabulous Books that may Take You a complete summer season to learn (but Aren't seashore Books)."

Rounding out the anthology are choices on bookstores, ebook golf equipment, and ebook care, plus publication cartoons, and a in particular ready "Bibliobibliography" of books approximately books.

Whether you think about your self a bibliomaniac or simply a person who loves to learn, a fondness for Books offers you a lifetime's worthy of interesting, informative, and enjoyable interpreting in your favourite subject--the love of books.

A Sampling of the Literary Treasures in a fondness for Books

Umberto Eco's "How to Justify a personal Library," facing the query all people with a large library is unavoidably requested: "Have you learn these kinds of books?"

Anatole Broyard's "Lending Books," within which he notes, "I consider approximately lending a booklet the way in which such a lot fathers think approximately their daughters residing with a guy out of wedlock."

Gustave Flaubert's Bibliomania, the vintage story of a ebook collector so enthusiastic about possessing a booklet that he's prepared to kill to own it.

A choice from Nicholas Basbanes's a steady insanity, at the leading edge preparations Samuel Pepys made to assure that his library may live to tell the tale "intact" after his demise.

Robert Benchley's "Why Does not anyone gather Me"--in which he wonders why first variants of books by means of his pal Ernest Hemingway are worthy whereas his aren't, deadpanning "I am older than Hemingway and feature written extra books than he has."

George Hamlin Fitch's terribly touching "Comfort present in stable Old...

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Additional info for A Passion for Books: A Book Lover's Treasury of Stories, Essays, Humor, Lore, and Lists on Collecting , Reading, Borrowing, Lending, Caring for, and Appreciating Books

Example text

These became even more stringent during the reign of Charles I but after the departure of the King from London pamphleteering was reborn as the public forum for practically every controversy of immediate relevance, politics and religion being the core issues. Milton became one of the most prolific pamphleteers of the age. Generally he supported the Parliamentarian cause but he was by no means its uncritical apologist. His pamphlets of the 1640s are marked by their projection of unsettled contemporary issues into the practical sphere of how and with what results the country would be governed after the War, the implied assumption being that the Parliamentarians would be the victors.

During March 1639, for example, he was invited on two occasions to give readings of his Latin and English poems in the celebrated Svogliati Academy in Florence. Italy projected him into an idyll of cosmopolitan art and at the same time offered him a perverse vision of religious authoritarianism. Practically all of his hosts were Catholics – he even stayed for a while in the Palace of Cardinal Berberini, the Pope’s nephew – and in general it seemed that a shared reverence for European culture transcended religious difference – Milton’s Protestant views were as well known as his poetry.

After so glorious a deed, you ought to think, you ought to do nothing that is mean and petty, nothing but what is great and sublime. Milton’s ‘you ought’ is addressed to the collective consciousness of the nation; he believed that his readers could accept his own perception of the execution as a ‘glorious’ and ‘sublime’ step towards the implementation of religious and political freedom. He was an idealist. Marvell was a Machiavellian pragmatist; he remained on good terms with the quietened but still powerful Royalist factions, and after the Restoration profited from this.

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