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By Ichiro Takayoshi

Ichiro Takayoshi's booklet argues that international struggle II reworked American literary tradition. From the mid-1930s to the yankee access into global battle II in 1941, preeminent figures from Ernest Hemingway to Reinhold Neibuhr replied to the flip of the public's curiosity from the industrial melancholy at domestic to the risk of totalitarian structures out of the country through generating novels, brief tales, performs, poems, and cultural feedback during which they prophesied the arriving of a moment international struggle and explored how the US may organize for it. the diversity of competing solutions provided a wealthy legacy of idioms, symbols, and conventional arguments that was once destined to license America's merchandising of its values and pursuits worldwide for the remainder of the 20th century. formidable in scope and addressing a massive variety of writers, thinkers, and artists, this publication is the 1st to set up the outlines of yank tradition in this pivotal interval.

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Additional info for American Writers and the Approach of World War II, 1935-1941: A Literary History

Example text

He admitted as much to Atkinson, who, along with most other reviewers, penned a mildly hostile review: “I didn’t even try for it [a great play]. I tried for propaganda against Hitler. Maybe not very effectively, but that’s what was in mind. ”33 The press release by the Playwrights Company all but dropped the pretension that it was a play or a piece of entertainment: “‘Candle in the Wind’ represents the crystallization of Anderson’s thought concerning the 32 American Writers and the Approach of War, 1935–1941 present international situation.

A case in point is Mary, the journalist-protagonist of her novel on the crisis in Czechoslovakia, A Stricken Field (1940). She is clear-headed about her job’s limits and, by extension, how little isolationist America could do to alleviate the plights of Europeans. ” When Germany occupies Czechoslovakia, she exercises her American prerogative, namely the privilege of a neutral visitor, forsakes the local sources she has cultivated and grown attached to, and decamps for From Depression to War 31 Paris.

Mostly they are women and children, as men have gone out to work in fields at dawn and won’t return until evening. Not so subtly MacLeish compares these villagers to the American people oblivious of how the nature of war has changed due to the advent of airplanes: the traditional distinction between the front and the rear, between combatants and civilians, was no longer valid. War will not come, the village women chitchat with each other as they take care of their daily chores and children run about.

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